Interview With Karen Correia Da Silva

Interview With Karen Correia Da Silva

Do you remember when you were seventeen and you thought about being young, and urban, and an artist? Maybe you imagined whitewashed loft spaces with a low-key reek of depravity and beautiful people with their improbable haircuts. And maybe there were poetry readings, and everything was a little bit of a performance, and everything was deeply, self-consciously cool.

Thursday night at the launch of GULCH: An Assemblage of Poetry and Prose, Torontoist found itself in the thick of something that looked an awful lot like this adolescent fantasy. Hatched by Steel Bananas, a collective dedicated to exploring critical theory in real-life art and culture, GULCH is themed around the idea of the rhizome. (For those Torontoist readers who have never suffered or savoured a romp through this field of critical theory, the rhizome is an image that Gilles Deleuze and Félix Guatarri borrow from biology to describe a way of thinking that values multiplicity, disjunction, and non-hierarchical development. Don’t be afraid to hit a little Wikipedia on this one.) And if you thought your second-year poststructuralist theory class would never take wing in the real world, GULCH aims to make you think again. Steel Bananas practises what amounts to a sort of guerrilla academia, mingling heady with hip.

Continue reading: This Shit is Steel Bananas on the main Torontoist site.